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Dubuffet Typographe

Pierre Leguillon

Dubuffet Typographer

This book is part of the second project of Pierre Leguillon for the 2013 Carnegie International and is dedicated to the French artist Jean Dubuffet (1901–1985). It investigates the former wine-dealer’s professional acumen, demonstrated by Dubuffet’s creation of Art Brut and culminating in the management of an entire staff working to promote, document, and archive his activities. In the light of today’s obsession with self-promotion, Dubuffet can be understood as a forerunner of artists such as Jeff Koons or Damien Hirst. Once again, Leguillon’s approach follows seemingly marginal paths, which ultimately prove to be unexpectedly revelatory of the typographic “genius“ of Dubuffet. Travelling to public and private archives such as La Fondation Dubuffet in Paris, the Bibliothèque Kandinsky at Centre Pompidou or to IMEC in Caen, Leguillon has collected pictures of ephemera such as invitations, posters, catalogs, artist’s books, flyers, tickets, and record sleeves; these images were then recombined in order to propose something like a manual of typography. Leguillon shows us how “for each project, Dubuffet invented a new way of writing and composing text—quite possibly by simply improvising. By this, he rejected the standardization as imposed by the printing process and typing, an education he himself went through. In books and lithographs, Dubuffet thoroughly sabotaged writing and typography (l’écriture) by fragmenting and distorting it, thus achieving, on a visual level, his plan to destroy language.”

A book by Pierre Leguillon

Graphic Design: Stéphane De Groef and Pierre Leguillon.

Published in English and French

15 x 21 cm (softcover, with dust jacket)

364 pages (b&w ill.)

ISBN: 978-2-930667-05-8

 

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